Untitled Document

REFERENCES

Albers, J., 1975. Interaction of Color: Revised Edition. Yale University Press.

Arend, W.E., 1993. Mesopic Lightness, Brightness and Brightness Contrast. Perception & Psychophysics, 54 (4), 469-476.

Aristides, J., 2007. Classical Drawing Atelier: a Contemporary Guide to
Traditional Studio Practice
. Watson-Guptill.

Benson, W., 1868. Principles of the Science of Colour. Chapman and Hall, London.

Billmeyer, F.W. Jr. and Bencuya, A.K., 1987. Interrelation of the Natural Color System and the Munsell Color Order System. Color Research and Application, 12 (4) 173-186.

Birch, T., 1757. The History of the Royal Society of London, vol. 3. Millar, London.

Blakeslee, B. & McCourt, M.E., 2015. What visual illusions tell us about underlying neural mechanisms and observer strategies for tackling the inverse problem of achromatic perception. Front. Hum. Neurosci., 21 April 2015. http://journal.frontiersin.org/article/10.3389/fnhum.2015.00205/full

Bond, M. E., & Nickerson, D., 1942. Color-order systems, Munsell and Ostwald. Journal of the Optical Society of America, 32, 709-719.

Boyle, R., 1664. Experiments and Considerations Touching Colours.
http://www.gutenberg.org/etext/14504

Brewster, D., 1831. Treatise on Optics. Longman, Rees, Orme, Brown and Green, London.

Brucke, 1866. Die Physiologie der Farben. Leipzig.

Carpenter, H.B., 1915. Colour. B.T. Batsford, London.

Centore, P., 2011. Shadow Series in the Munsell System. Color Research and Application, 38(1), 58-64.

Cleland, T.M., 1921. A Practical Description of the Munsell Color System, with Suggestions for its Use. Munsell Color Company, Boston.

Collier, 1887. A Manual of Oil Painting. Cassell and Cmpany Limited, London.

Evans, R., 1974. The Perception of Color. Wiley-Interscience, New York.

Fairchild, M.. D., 2004. Color Appearance Models: CIECAM and beyond.
IS&T/SID 12th Color Imaging Conference. http://www.cis.rit.edu/fairchild/PDFs/AppearanceLec.pdf

Fairchild, M. D., 2005. Color Appearance Models (2nd Edn). Wiley IS&T.

Field, G., 1817. Chromatics, or, an essay on the analogy and harmony of colours [1st edn].

Field, G., 1835. Chromatography; or, a Treatise on Colours and Pigments. Moyes and Barclay, London.
http://books.google.com/books?id=PDMAAAAAQAAJ. (1841 edn).

Ford, A., and Roberts, A., 1998. Colour Space Conversions. http://www.poynton.com/PDFs/coloureq.pdf

Foss, C.E., Nickerson, D. and Granville, W.C., 1944. Analysis of the Ostwald Color System. Journal of the Optical Society of America, 34(7), 361-381.

Gage, J., 1993. Colour and Culture. Practice and Meaning from Antiquity to Abstraction. Thames and Hudson.

Gage, J., 1999. Colour and Meaning. Art, Science and Symbolism. Thames and Hudson.

Goethe, J. W. von, 1810. Zur Farbenlehre (tr. Charles Lock Eastlake, 1840, as Theory of Colours).

Green-Armytage, P., 2006. The Value of Knowledge for Colour Design. Color Research and Application, 31 (4), 253-269.

Gurney, J., 2010. Color and Light, a Guide for the Realist Painter. Andrews McMeel Publishing.

Hanrahan, P. and Kruger, W., 1993. Reflection from Layered Surfaces
due to Subsurface Scattering
. Princeton University, Department of Computer Science,
Technical Report 409-93.

Hardin, C. L., 2014. More Color Science for Philosophers, in Dustin Stokes, Mohan Matthen,
and Stephen Biggs (eds) Perception and Its Modalities. New York: Oxford University Press. 379-389.

Hardy A. C., and Wurzburg F. L., 1937. Theory of three color reproduction. Journal of the Optical Society of America, 27, p. 231.

Hatt, J.A.H., 1908. The Colorist (2nd edn, 1913). D.Van Nostrand Company, New York.

Hayter, C., 1813. An Introduction to Perspective, Dialogues between the Author's Children. Black, Parry and Co, London.
http://books.google.com/books?id=s-UHAAAAQAAJ (1815 edn)

Helmholtz, H., 1852a. On the Theory of Compound Colours. Philosophical Magazine, Fourth Series, 4(4), pp. 519-34.

Helmholtz, H., 1852b. On Sir David Brewster's New Analysis of Solar Light. Philosophical Magazine, Fourth Series, 4(27), pp. 401-416.

Helmholtz, H., 1866. Treatise on Physiological Optics. (English translation by Optical Society of America, 1924–5).

Hering, E., 1878. Zur Lehre vom Lichtsinne. Vienna: Gerolds Sohn. (English translation: Outlines of a Theory of the Light Sense, Leo Hurvich and Dorothea Jameson, 1964, Harvard University Press).

Hiler, H., 1934. Notes on the Technique of Painting. Faber and Faber, London.

Hurvich, L.M. and Jameson, D., 1957. An Opponent-process Theory of Colour Vision. Psychol. Rev., 64, 384-404.

Itten, J., 1961. The Art of Color (1st English edn, tr. Ernst van Haagen). Reinhold Publishing Company, New York.

Itten, J., 1973. The Art of Color (2nd English edn, tr. by Ernst van Haagen). Van Nostrand Reinhold Company, New York.

Itten, J., 1970. The Elements of Colour (ed. by Faber Birren). Wiley, New York.

Itten, J., 1975. Design and form: The basic course at the Bauhaus and later. Wiley, New York.

Ives, H.E., 1935. The Ives Trichromatic Palette.

Kelly, K.L., 1943. Color Designations for Lights. Journal of Research of the National Bureau of Standards. 31, 71-78.

Kemp., M., 1990. The Science of Art: Optical themes in western art from Brunelleschi to Seurat. Yale.

Kerr, D.A., 2005. Color and Color Spaces. http://dougkerr.net/Pumpkin/articles/Color_Models.pdf

Kirschmann, A., 1896. Color-Saturation and its Quantitative Relations. American Journal of Psychology, 7, 386-404.

Kuehni, R. G., 2003. Color Space and its Divisions: Color Order from Antiquity to the Present. Wiley-Interscience, New Jersey.

Kuehni, R. G., 2005. Color : an Introduction to Practice and Principles (2nd edn). Wiley-Interscience, New Jersey.

Kuehni, R.G., 2010. Anonymous, Traité de la painture au pastel (Treatise on pastel painting), in Anonymous (C. B.), Traité de la peinture en mignature (Treatise on miniature painting), The Hague: van Dole, 1708. An English translation with a speculative essay on its authorship. www.iscc.org/pdf/TraitePastel.pdf

Kuehni, R.G., 2012. Unique Hues and Their Stimuli - State of the Art. Color Research and Application, 39, 279-287.

Kuehni, R.G. and Schwarz, A., 2008. Color Ordered: A Survey of Color Systems from Antiquity to the Present. Oxford University Press, USA.

Loomis, A., 1947. Creative Illustration. Viking Press, New York.

Loomis, A. 1951. Successful Drawing. Viking Press, New York.

Lowengard, S. 2006. The Creation of Colour in Eighteenth Century Europe. Gutenberg-e, New York.
http://www.gutenberg-e.org/lowengard/

Luke, J. T., 2001. In The New Munsell Student Color Set, 2nd Edition by Jim Long, Joy Turner Luke. Fairchild Books.

McLaren, K., 1985. Newton's indigo. Color Research and Application, 10 (4), 225-229.

Marr, D., 1982. Vision, A Computational Investigation into the Human Representation and Processing of Visual Information. MIT Press.

Mollon, J. D. 2003. The Origins of Modern Color Science. In Shevell, S. (Ed) Color Science, Optical Society of America, Washington.

Moroney, N., Fairchild, M. D.; Hunt, R. W.G.; Li, C.; Luo, M. R.; Newman, T., 2002. The CIECAM02 Color Appearance Model. IS&T/SID Tenth Color Imaging Conference, Scottsdale, Arizona: The Society for Imaging Science and Technology. ISBN 0-89208-241-0.
http://www.polybytes.com/misc/Meet_CIECAM02.pdf

Munsell, A. H., 1905. A Color Notation. An illustrated System Defining All Colors and their Relations by Measured Scales of Hue, Value, and Chroma. Boston.
http://www.google.com/books?id=PgcCAAAAYAAJ

Munsell, A. H., 1915. The Atlas of the Munsell Color System. Boston.   

Newton, I., 1672. A Letter of Mr. Isaac Newton, Professor of the Mathematicks in the University of Cambridge; Containing His New Theory about Light and Colors: Sent by the Author to the Publisher from Cambridge, Febr. 6. 1671/72; In Order to be Communicated to the R. Society. Philosophical Transactions of the Royal Society, 6, 3075,8

Ostwald, W., 1916. Neue Forschungen zur Farbenlehre (New Researches in Color Science) Physikalische Zeitschrift XVII, 1916, pp. 322-332, Leipzig: S. Hirzel (1899-1945). [Translated by Kuehni in Kuehni, R.G. and Brill, M., 2010].

Ostwald, W., 1931, Colour Science. Part 1, Colour Theory and Standards of Colour (translated by J. Scott Taylor). Winsor & Newton.

Palmer, G., 1777. Theory of Colours and Vision. Leacroft, London.

Palmer, S.E., 1999. Vision Science: Photons to Phenomenology. MIT Press.

Parkhurst, D., 1898. The Painter in Oil. Norwood Press, Massachusetts.

Parris, N.G.,1979. Adolf Hoelzel's Structural and Color Theory and its relationship to the development of the Basic Course at the Bauhaus. Ph. D. thesis, Uinversity of Pennsylvania, USA.

Poling, C.V., 1973. Color theories of the Bauhaus artists. Ph. D thesis, Columbia University, USA.

Pope, A., 1922. Tone Relations in Painting. Harvard University Press, Cambridge, Massachusetts.

Pope, A., 1931. The Painter’s Modes of Expression. Harvard University Press, Cambridge, Massachusetts.

Pridmore, R., 2008. Chromatic Induction: Opponent Colour or Complementary Colour Process. Color Research and Application, 33, 77-81.

Purves, D. and Lotto, R.B., 2011. Why We See What We Do Redux, A Wholly Empirical Theory of Vision. Sinauer.

Rood, O., 1879. Students’ Text-book of Color; or Modern Chromatics, with Applications to Art and Industry. Appleton, New York, .
http://www.archive.org/details/Colour (1890 edn)

Ross, D. W., 1907. A Theory of Pure Design, Harmony, Balance, Rhythm. Houghton, Mifflin, Boston
http://www.archive.org/details/theoryofpuredesi00rossuoft

Ross, D.W., 1919. The Painter's Palette, A Theory of Tone Relations, an Instrument of Expression. Houghton, Mifflin, Boston

Runge, P. O. 1810, Die Farben-Kugel, oder Construction des Verhaeltnisses aller Farben zueinander. Hamburg: Perthes.

Ruskin, J., 1877. The Laws of Fesole. J. Wiley & sons, New York.

Schreiber, G., 1868. Die Farbenlehre. Für Architekten, Maler, Techniker und Bauhandwerker, insbesondere für Bau- und polytechnische, höhere Gewerb- und Realschulen, Leipzig.

Seim, T., 2013. CIE R1-57. The Border Between Blackish and Luminous Colours. CIE Report 2013:R1-57.

Shapiro, A., 1984. The Optical Papers of Isaac Newton: Volume 1, The Optical Lectures 1670-1672. Cambridge University Press.

Shapiro, A., 1994. Artists' Colors and Newton's Colors. Isis 85: pp. 600-627.

Sherman, P.D., 1981. Colour Vision in the Nineteenth Century: the Young-Helmholtz-Maxwell Theory. Adam Hilger Ltd, Bristol.

Froehlich, H.B. and Snow, B.E., 1904. Textbooks of Art Education, Book V, Fifth Year. The Prang Educational Company, New York, Boston, Chicago.

Spillman, W., 2009. Farb-Systeme 1611-2007. Schwabe Verlag Basel.

Wunsch, C. T. 1792. Versuch und Beobachtungen über die Farben des Lichts. Leipzig: Breitkopf.

Young, T., 1802. On the Theory of Light and Colours, Philosophical Transactions of the Royal Society of London 92, pp. 12-48.

Young, T., 1807. A Course of Lectures on Natural Philosophy and the Mechanical Arts. J. Johnson, London.