Untitled Document


Albers, J., 1975. Interaction of Color: Revised Edition. Yale University Press.

Aristides, J., 2007. Classical Drawing Atelier: a Contemporary Guide to
Traditional Studio Practice
. Watson-Guptill.

Benson, W., 1868. Principles of the Science of Colour. Chapman and Hall, London.

Birch, T., 1757. The History of the Royal Society of London, vol. 3. Millar, London.

Boyle, R., 1664. Experiments and Considerations Touching Colours.

Brewster, D., 1831. Treatise on Optics. Longman, Rees, Orme, Brown and Green, London.

Brucke, 1866. Die Physiologie der Farben. Leipzig.

Cleland, T.M., 1921. A Practical Description of the Munsell Color System, with Suggestions for its Use. Munsell Color Company, Boston. http://www.applepainter.com/ (online edited version)

Evans, R., 1974. The Perception of Color. Wiley-Interscience, New York.

Fairchild, M.. D., 2004. Color Appearance Models: CIECAM and beyond.
IS&T/SID 12th Color Imaging Conference. http://www.cis.rit.edu/fairchild/PDFs/AppearanceLec.pdf

Fairchild, M. D., 2005. Color Appearance Models (2nd Edn). Wiley IS&T.

Field, G., 1817. Chromatics, or, an essay on the analogy and harmony of colours [1st edn].

Field, G., 1835. Chromatography; or, a Treatise on Colours and Pigments. Moyes and Barclay, London.
http://books.google.com/books?id=PDMAAAAAQAAJ. (1841 edn).

Ford, A., and Roberts, A., 1998. Colour Space Conversions. http://www.poynton.com/PDFs/coloureq.pdf

Gage, J., 1993. Colour and Culture. Practice and Meaning from Antiquity to Abstraction. Thames and Hudson.

Gage, J., 1999. Colour and Meaning. Art, Science and Symbolism. Thames and Hudson.

Goethe, J. W. von, 1810. Zur Farbenlehre (tr. Charles Lock Eastlake, 1840, as Theory of Colours).

Hanrahan, P. and Kruger, W., 1993. Reflection from Layered Surfaces
due to Subsurface Scattering
. Princeton University, Department of Computer Science,
Technical Report 409-93

Hardy A. C., and Wurzburg F. L., 1937. Theory of three color reproduction. Journal of the Optical Society of America, 27, p. 231.

Hatt, J.A.H., 1908. The Colorist (2nd edn, 1913). D.Van Nostrand Company, New York.

Hayter, C., 1813. An Introduction to Perspective, Dialogues between the Author's Children. Black, Parry and Co, London.
http://books.google.com/books?id=s-UHAAAAQAAJ (1815 edn)

Helmholtz, H., 1852a. On the Theory of Compound Colours. Philosophical Magazine, Fourth Series, 4(4), pp. 519-34.

Helmholtz, H., 1852b. On Sir David Brewster's New Analysis of Solar Light. Philosophical Magazine, Fourth Series, 4(27), pp. 401-416.

Helmholtz, H., 1866. Treatise on Physiological Optics. (English translation by Optical Society of America, 1924–5).

Hurvich, L.M. and Jameson, D., 1957. An Opponent-process Theory of Colour Vision. Psychol. Rev., 64, 384-404.

Itten, J., 1961. The Art of Color (1st English edn, tr. Ernst van Haagen). Reinhold Publishing Company, New York.

Itten, J., 1973. The Art of Color (2nd English edn, tr. by Ernst van Haagen). Van Nostrand Reinhold Company, New York.

Itten, J., 1970. The Elements of Colour (ed. by Faber Birren). Wiley, New York.

Itten, J., 1975. Design and form: The basic course at the Bauhaus and later. Wiley, New York.

Ives, H.E., 1935. The Ives Trichromatic Palette.

Kemp., M., 1990. The Science of Art: Optical themes in western art from Brunelleschi to Seurat. Yale.

Kirschmann, A., 1896. Color-Saturation and its Quantitative Relations. American Journal of Psychology, 7, 386-404.

Kuehni, R. G., 2003. Color Space and its Divisions: Color Order from Antiquity to the Present. Wiley-Interscience, New Jersey.

Kuehni, R. G., 2005. Color : an Introduction to Practice and Principles (2nd edn). Wiley-Interscience, New Jersey.

Kuehni, R.G., 2010. Anonymous, Traité de la painture au pastel (Treatise on pastel painting), in Anonymous (C. B.), Traité de la peinture en mignature (Treatise on miniature painting), The Hague: van Dole, 1708. An English translation with a speculative essay on its authorship. www.iscc.org/pdf/TraitePastel.pdf

Kuehni, R.G. and Schwarz, A., 2008. Color Ordered: A Survey of Color Systems from Antiquity to the Present. Oxford University Press, USA.

Loomis, A., 1947. Creative Illustration. Viking Press, New York.

Loomis, A. 1951. Successful Drawing. Viking Press, New York.

Lowengard, S. 2006. The Creation of Colour in Eighteenth Century Europe. Gutenberg-e, New York.

Luke, J. T., 2001. In The New Munsell Student Color Set, 2nd Edition by Jim Long, Joy Turner Luke. Fairchild Books.

McLaren, K., 1985. Newton's indigo. Color Research and Application, 10 (4), 225-229.

Mollon, J. D. 2003. The Origins of Modern Color Science. In Shevell, S. (Ed) Color Science, Optical Society of America, Washington.

Moroney, N., Fairchild, M. D.; Hunt, R. W.G.; Li, C.; Luo, M. R.; Newman, T., 2002. The CIECAM02 Color Appearance Model. IS&T/SID Tenth Color Imaging Conference, Scottsdale, Arizona: The Society for Imaging Science and Technology. ISBN 0-89208-241-0.

Munsell, A. H., 1905. A Color Notation. An illustrated System Defining All Colors and their Relations by Measured Scales of Hue, Value, and Chroma. Boston.

Munsell, A. H., 1915. The Atlas of the Munsell Color System. Boston.   

Newton, I., 1672. A Letter of Mr. Isaac Newton, Professor of the Mathematicks in the University of Cambridge; Containing His New Theory about Light and Colors: Sent by the Author to the Publisher from Cambridge, Febr. 6. 1671/72; In Order to be Communicated to the R. Society. Philosophical Transactions of the Royal Society, 6, 3075,8

Palmer, G., 1777. Theory of Colours and Vision. Leacroft, London.

Parkhurst, D., 1898. The Painter in Oil. Norwood Press, Massachusetts.

Parris, N.G.,1979. Adolf Hoelzel's Structural and Color Theory and its relationship to the development of the Basic Course at the Bauhaus. Ph. D. thesis, Uinversity of Pennsylvania, USA.

Poling, C.V., 1973. Color theories of the Bauhaus artists. Ph. D thesis, Columbia University, USA.

Pope, A., 1922. Tone Relations in Painting. Harvard University Press, Cambridge, Massachusetts.
http://dli.iiit.ac.in/cgi-bin/Browse/scripts/use_scripts/advnew/metainfo.cgi?&barcode=2020050081109 (1927 edn).

Pope, A., 1931. The Painter’s Modes of Expression. Harvard University Press, Cambridge, Massachusetts.

Pridmore, R., 2008. Chromatic Induction: Opponent Colour or Complementary Colour Process. Color Research and Application, 33, 77-81.

Rood, O., 1879. Students’ Text-book of Color; or Modern Chromatics, with Applications to Art and Industry. Appleton, New York, .
http://www.archive.org/details/Colour (1890 edn)

Ross, D. W., 1907. A Theory of Pure Design, Harmony, Balance, Rhythm. Houghton, Mifflin, Boston

Runge, P. O. 1810, Die Farben-Kugel, oder Construction des Verhaeltnisses aller Farben zueinander. Hamburg: Perthes.

Ruskin, J., 1877. The Laws of Fesole. J. Wiley & sons, New York.

Schreiber, G., 1868. Die Farbenlehre. Für Architekten, Maler, Techniker und Bauhandwerker, insbesondere für Bau- und polytechnische, höhere Gewerb- und Realschulen, Leipzig.

Shapiro, A., 1984. The Optical Papers of Isaac Newton: Volume 1, The Optical Lectures 1670-1672. Cambridge University Press.

Shapiro, A., 1994. Artists' Colors and Newton's Colors. Isis 85: pp. 600-627.

Sherman, P.D., 1981. Colour Vision in the Nineteenth Century: the Young-Helmholtz-Maxwell Theory. Adam Hilger Ltd, Bristol.

Spillman, W., 2009. Farb-Systeme 1611-2007. Schwabe Verlag Basel.

Wunsch, Christian Ernst. 1792. Versuch und Beobachtungen über die Farben des Lichts. Leipzig: Breitkopf.

Young, T., 1802. On the Theory of Light and Colours, Philosophical Transactions of the Royal Society of London 92, pp. 12-48.

Young, T., 1807. A Course of Lectures on Natural Philosophy and the Mechanical Arts. J. Johnson, London.